Marker
Krasner

(...) she took responsibility for those titles, which are significant aesthetic components of her work, not merely convenient labels. This mode of naming is entirely consistent with Krasner's intuitive way of working, in which meaning could not be determined beforehand and had to surprise her. The content of the art was accepted by the artist rather than consciously initiated by her; it was a genuinely new creation rather than merely the illustration of an idea.